www.paulacoopergallery.com
I chose this work for its raw quality, its over done highlights and low lights as well as its high grain count. It allows the viewer to look at the simpler aspects of the image without being overly critical.
www.brooklynmuseum.org
I have always been a fan of Norman Rockwell's work, this piece is no different; his ability to capture a somewhat painful and awkward event with what seems like ease as well as adding his own background based of the current trends of "flash" is exquisite.
Slater Bradley & Ed Lachman, Shadow, 2010.
Although just a still from a video piece it is somewhat provocative; the central figure makes the viewer ask many questions leaving the viewer drawing their own conclusions.
Messing around the other day with some friends I brought out the camera to try and capture some of the debauchery.
Ty Giebel DirkZilla 2491, February 2010.
I chose this image for the "frozen in time" aspect of the Debris.
Ty Giebel, DirkZilla 2539, February 2010.
I chose this image for the sense of speed, although if I didn't tell you Im sure you never would have know it was going in reverse and slowly.
Ty Giebel DirkZilla 2622, February 2010.
I chose this image based on the nice short depth of field and the motion of the tire giving a sense of energy.
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